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Thursday, April 26, 2012

Midnight Sketch

Here's a sketch I did last night when I couldn't fall asleep. It is of my youngest daughter. I am struggling with the resemblance so I think I am going to revisit this one. There are quite a few things I would like to try differently, as well as improve upon and this will be a good study to work with. Hopefully I will find some time in the next couple of weeks to get back to this and try again.


Medium: Charcoal on Paper

Tuesday, April 24, 2012

Missing Out






Image Source: Vincent's House in Arles (The Yellow House) - http://www.vggallery.com

First impressions are often what drive our opinion of a person, event, or even work of art. For example, I've never particularly cared for the work of Vincent Van Gogh. However, driven by the desire for a little art enrichment, I had the pleasure of taking an art history course last year. It was through this course I was introduced to Van Gogh's letters. The perspective I gained from reading his letters encouraged me to take a second look at what I once had passed up. 

Unfortunately, I had formed my initial opinion based on a single statement made by a friend (who was an admirer of Van Gogh's work). I am not sure why the statement had turned me off, and to be honest I can't even remember what the statement was. What I do know is, I was missing out, and for years I held a negative opinion of Van Gogh's work without any real justification. I had subconsciously made it a point to ignore his work whenever possible. 

The art history class forced my hand, requiring me, not only to review his work but also establish a relationship with the artist through letters he and his family had written. After reading the letters I realized the way in which Van Gogh wrote about his art, and its inspiration, was very different from what I had imagined. He seemed upbeat and inspired by life. I particularly liked when he wrote about using color to add emotion to his paintings. Even in the letters where he seemed deflated by his progress or situation there was something I could connect with.

I was intrigued by how Van Gogh's letters transformed him from a famous artist to an ordinary person. I had always wondered what kind of life famous painters of centuries past had lived, yet for some reason I never made the connection to "ordinary" until I read these letters. He seems like a typical young adult searching for a place he could turn his calling into a career. After reading his thoughts on the acceptability of his artistic approach by others, I started to think about how much art has changed. It is amazing to see the transformation art has made over the centuries.

I have discovered an appreciation for Van Gogh's work which I never thought I would have. I can't say I like all of his paintings, in fact there are only a few I do like. However, I am more cautious about forming a negative opinion of an artist, and his or her work, without any real justification.

Whether you like Van Gogh's work or not, I hope you will take some time to read his letters. Often it takes some form of personal connection to an artist to help you connect with their work. I think when it comes to what we might call the Masters we feel obligated to like their work because society has told us how great they are. However, I think it is still important to find our own understanding and connection to their work, good or bad, it improves the experience. My story is a perfect example of what the majority of people miss when it comes to viewing and experiencing art... a relationship with the artist.


P.S. Here are two of my favorite pieces by Van Gogh.

 Image Source: Blossoming Almond Tree - Vincent Van Gogh - http://www.vggallery.com

 Image Source: Green Ears of Wheat - Vincent Van Gogh - http://www.vggallery.com



Monday, April 23, 2012

Precious Moments


Here is a new piece I did for a friend of mine. It's a picture of her sister and nephew. It's a sweet moment that takes me back to when my girls were babies. It warms my heart with happy memories, as I hope it will for her and her family.

Medium: Charcoal on Smooth White Bristol

Sunday, April 22, 2012

Paris in Las Vegas


Here is photo I took on my phone the last time we were in Las Vegas, NV. Despite the graininess of it I really love the illusion of lightning the branch has created. 


Medium: Digital Photography

Saturday, April 21, 2012

Work In Progress Update


Do you remember this one? I haven't had a lot of time to work on it but I thought you might enjoy seeing what it looks like now.

Quite different from the last time this colorful bird made an appearance.

The texture in the tail is really fun. When it is done I am tempted to hang a sign next to it that says "Touch Me" since I know I would want to if I came upon this in a gallery. I often wish 2-D art was more interactive because I believe there is more to a painting than what the eye can show you.


Medium: Oil on Canvas

Thursday, April 19, 2012

Spring


 This is a picture I painted last year for a friend. 


I rarely work with acrylic and I have never painted birds or butterflies before so I ended up doing quite a bit of research on this little yellow finch.


I draw butterflies all the time because I love their whimsy but like I said I had never painted one before. It felt like painting a flower to be honest. I also took some time to emboss a few patterns into the background. I wanted to include a few surprise elements that you might not notice right away when looking at the piece.


I have to confess I think I am in love with birds and butterflies now.


This is my favorite part of the whole painting. In the very beginning stages I had this piece laying out across my living room floor. Some how this little footprint, and another partial print, magically appeared. I have my suspicions, but have yet to receive a confession.

Sometimes it is the unexpected mishaps which make a painting so special. This particular mishap makes me want to let little feet walk on my art more often. It is extremely precious. 


Medium: Gesso and Acrylic on Canvas

Oversized Card or Mini Scrapbook?


On occasion I like to make these fun little books. They started out as a way to create a card for a large number of people to sign and write a personal message. However, I have since used them as guest books, small ready made scrapbooks, or large group cards. They are typically around 6"x6", but can vary in size depending on what I am going for The number of pages varies depending on how big it needs to be.   


They have made appearances for graduation parties, retirement parties, going away parties... you name it.


They are so fun to make and even more fun to give. The best part is they can be customized to fit the personality of the person you are celebrating, or even to fit the theme of the party.


Medium: Card Stock, Scrapbook Paper, Thread, and Adhesive